Kai Nielsen – Born of Everyday Life

30.05.2024 – 05.01.2025

a collaborative exhibition project between Faaborg Museum and the Glyptotek

Berlingske

Politiken

Kristeligt Dagblad

You have probably already met The Water Mother, who welcomes visitors to the Glyptotek from her pool in the Winter Garden. The Danish sculptor Kai Nielsen (1882-1924) created the work specially for the Glyptotek. Nielsen’s works will form the focal point for a collaborative exhibition project involving Faaborg Museum and the Glyptotek – two special exhibitions, which will run in parallel at the two museums from summer 2024.

Despite the popularity of The Water Mother, Kai Nielsen is largely unknown, even though his works can be seen in a number of public spaces in Denmark: for example, on Blågårds Plads in the Nørrebro district of Copenhagen, and on the town square in Faaborg (the sculpture Ymir’s Well). He is perhaps best known for the small ornaments and statuettes he designed for the Danish porcelain companies Bing & Grøndahl and Kähler, and for Dansk Kunsthandel.

Muscle men, mythology and motherhood

Kai Nielsen (1882 – 1924) was fascinated by the human body. His themes included both strong male bodies with the ideal physique of antiquity as a role model – for example, in the monumental sculpture First Generation – and female figures inspired by ancient mythology like Aphrodite – for example in the sculpture Aarhus Girl or Venus with the Apple. But he was also dedicated to everyday motifs: for example, Girl Fiddling with Her Toes, statuettes of children, and busts of his family and of famous athletes, artists and art collectors of his day.

Kai Nielsen – Født af hverdagen — Photo: David Stjernholm

The Glyptotek and Kai Nielsen

Kai Nielsen’s endeavour to depict ‘what is natural’ and make his works accessible invests his art with a down-to-earth, popular quality. At the same time, his sculptures feature references to mythological and ancient stories.

Kai Nielsen attended the academy in Copenhagen and found inspiration at the Glyptotek, where he studied 19th-century French and Danish sculpture, and ancient Greek and Roman art. At an early stage in his career, he got in touch with the brewer Carl Jacobsen: maybe to inspire the patron of art to invest in his works. The Glyptotek has an extensive collection of Kai Nielsen’s sculptures and sketches, which are presented in the exhibition alongside loans from museums and private collections in Denmark and Norway.

Studying the body

Kai Nielsen was born and raised in Svendborg. There was something both down-to-earth and lofty about Kai Nielsen. This was reflected in the quasi-mythological story of Kai the sculptor and human being, to which his family, friends and acquaintances all contributed. He possessed a sparkling sense of humour, great charisma, superhuman willpower and manic industriousness, despite his rather frail constitution and poor health.

“It takes a healthy body to make healthy art,” was one of the mottos of the artist from Funen. This was a conviction he took literally. Persistently, he modelled the human body, while training his own. He rowed, swam, boxed, rode, fenced and wrestled, and hiked in the mountains of Norway, the home country of his wife, the painter Yanna Lange Kielland Holm (1880-1932). He fought an eternal battle between health and illness and, after several years of illness and operations, died in 1924 at the early age of 41.

Faaborg Museum will present their Kai Nielsen exhibition from 9 June to 5 January 2025. This joint special exhibition project will present works from the collections of the Glyptotek and Faaborg Museum together with loans from private collectors and museums.